Fantasy Filmaking:

Casino Royale (Ealing Studios 1956)

Ok. So we all know the films that have been made and the films that were nearly made, but what about the films that should have been made?

In this scenario, we look at what might have happened if, following the publication of Ian Fleming's first James Bond novel Casino Royale in 1953, the film rights had been acquired by Michael Balcon at Ealing Studios. And then in 1956, with film critic Kenneth Tynan in charge of scripts at Ealing, it goes into production as part of Tynan's effort to make Ealing a place for serious, forward looking film making.

It's long been our belief that James Bond is one of the great wasted characters. Cinemagoers have never yet seen the real James Bond - the Bond of the novels - instead they have been offered a pale imitation of the real thing. What we would like to see in this production is a vicious, bleak tale of an agent tested to the limit of his endurance. A man capable of cruelty, yet able to mix with the highest of society. A man of cruel mouth and cold eyes.

So here we go. It's time to cast Casino Royale (1956):

So who is to be Bond?

The obvious choices are a bit too old:

David Niven

David Niven might have seemed born to play Bond but by 1956 he's just too old.

If it had been the late 1940s Stewart Granger would have been ideal ...

Stewart Granger

 ... suave and attractive, but menacing and capable of cruelty. But he's off swashbuckling around in Hollywood.

Then there's my favourite, David Farrar ...

David Farrar

 ... another man capable of combining attraction with a sense of detachment. And his role in Black Narcissus, as the man that even nuns fall in love with, yet who retains a sense of mystery throughout, seems ideally Bondlike. Yet another one who's too old.

So who's left? An unlikely choice might be Dirk Bogarde. Through the early and mid-1950s Bogarde played mainly lightweight characters, comedy doctors and the like, but here was an actor just desperate to break out into serious roles. So he might have been ideal for the this dark vision of Bond. And seen here in The Servant,  he even has the unruly lock of hair falling over his eye as Fleming gave to the original character:

Dirk Bogarde

But I'm not sure he's quite right.

A unlikely choice might have been Harry H. Corbett. Forget his later typecasting and public image as a comedy actor, in the mid-fifties he was a serious stage actor just breaking into cinema. In Nowhere to Go he played a gangster, a dark, menacing figure but with a sense of self-control:

Harry H. Corbett

I think of Corbett as a Timothy Dalton-like Bond: a serious actor trying to take the role somewhere different. But maybe not quite right.

So I'm settling on the perfect Bond: Stanley Baker. A man whose balance between attraction and vicious detachment might veer towards the latter: a man just a likely to be seen in a street-fight as in a duel of nerves over a card table.

Stanley Baker

But what of 'M'? A couple of names come to mind: maybe Alec Guinness as he breaks away from lightweight roles. An early preparation for the world of George Smiley, perhaps? Or Jack Hawkins ...

Jack Hawkins

... a man with good Ealing pedigree. Yet I will reject him on the grounds that he is always at his best when displaying his character's weaknesses. So I settling for the obvious choice, indeed the eventual choice: Bernard Lee

Bernard Lee

... after all, he later made the role his own and was an Ealing regular at this time.

For Miss Moneypenny just one name came to mind, Virginia McKenna:

Virginia McKenna

In the mid-fifties she was just emerging into public view, was attractive without being overly too glamorous.

The other female is Vesper Lynd, of whom Bond says at the climax of the novel: "The bitch is dead." So who can play the bitch who betrays her country? The same woman that was such a convincing bitch in 'Once a Jolly Swagman' or 'The Cruel Sea', Moira Lister.



Moira Shearer & Denholm Elliott

Finally, who should play the villain, Le Chiffre? For me, there is one choice: foreign, menacing, familiar with playing villains and who was known to Ealing: Herbert Lom:

Herbert Lom

So there we have it: Casino Royale in 1956: Stanley Baker as James Bond defeating Herbert Lom as the villain. Adapted by Kenneth Tynan, directed by Seth Holt, and changing the history of British cinema.

Next week's 'Fantasy Filmaking'?

How about Casino Royale as imagined by Launder & Gilliat? ....

... with Joyce Grenfell as Miss Moneypenny!!!

Familiar Faces: No 2

Frederick Piper

 

For a period of almost twenty years, if you needed a grumpy barman, policeman, café owner etc, Frederick Piper was your man. Hardly ever having more than a few minutes of screen time, his was an instantly recognisable face: one of those 'Where have I seen him before?' types. As his entry on The Internet Movie Database notes, he was a former tea merchant and "Balding, shifty-looking small part character actor".

 

 

So for reference, here's Frederick Piper:

 

With Robert Donat in The 39 Steps (1935)


 

Where There's A Will (1936)

 

Oh Mr Porter (1937)

As a pickpocket in The Four Just Men (1939)

 

49th Parallel (1941)

 



The Big Blockade (1942)



 

With Bernard Miles (left) in In Which We Serve



With Jack Lambert (left) in Nine Men (1943)

 

The Bells Go Down (1943)

 

 

With Robert Beatty (right) in San Demetrio London (1943)

 

 

Fiddlers Three (1944)

 

with Stanley Holloway (left) in Champagne Charlie (1944)

 

between Ralph Michael (left) and Tom Walls (right) in Johnny Frenchman (1945)

 

in Pink String & Sealing Wax (1945)

as Harry Fowler's dad in Hue and Cry (1947)

with Jack Warner (right) in It Always Rains on Sunday (1947)

with Raymond Huntley & Stanley Holloway in Passport to Pimlico (1949)

The Blue Lamp (1950)

as a boat owner (left) in Dunkirk (1958)

In 'Hunted' (1952)

Lease of Life (1954) with Kay Walsh

The Passionate Stranger (1957)

He also appeared in Jamaica Inn, The Loves of Joanna Godden, The Rainbow Jacket, Sabotage and numerous other film from 1933 to 1972, mainly appearing in similar roles on television through the 1960s.

 

And his characters had some great names: he was Zacky Penrose in Johnny Frenchman, Badger Hill in Nine Men and Dr Pepper in Pink String and Sealing Wax.

 

I also suspect that this is Piper in an early, uncredited role in Red Wagon (1934), lurking in the background during a lion taming scene:

 

The ears and the facial shape seem to fit, but I can't be certain. What do you think?

 



Familiar Faces: Number 1:

Megs Jenkins

 

How often, when watching a film, do you spot a familiar face and think Where have I seen them before? We all do it, then spend the rest of the film just waiting to fire up the laptop and 'IMDB' the film to find out their name. A few clicks later and you've got a list of all their onscreen appearances.

 

 

If you spend enough time watching old British films you soon realise there was a small group of actors and actresses who could always be relied upon to put in a solid performance in a minor role.

 

 

And this regular feature will help to celebrate the lesser known stalwarts of British cinema.

 

 

First off, we offer you Megs Jenkins: You need a chubby, friendly-faced lady to play a barmaid, nurse or housekeeper? Then look no further - she's your girl:

 

Jenkins & Patricia Roc - Millions Like Us (1943)

 

 

With Rosamond Johns in The Lamp Still Burns (1943)

 

 

with Robert Griffith and Jenny Laird, in Painted Boats (1945)

in 'The Man in the Sky' (1956)

The Passionate Stranger (1957)

 

Green for Danger (1946)

Secret People  (1951)

with Bruce Seton & Liam Redmond in The Cruel Sea (1953)

 

Indiscreet (1958)

 

with Deborah Kerr in The Innocents (1961)

in another medical role, as the ward sister in 'Bunny Lake is Missing' (1965)

 

Oliver (1968)

 

 

 





Costumes

 

Whilst plenty is written about female film costumes, male costumes are often ignored. However, here at 'Rank & File' we think it's too important a subject to ignore.

 

 

It appears that many British productions simply asked actors to provide their own clothing where suitable or, in the case of Ealing Studios, arrangements were often made with clothing companies to provide male clothing at reduced costs.

 

 

 

Therefore we like to play 'Spot the re-used outfits':

 

 

Here's Leslie Philips in Pool of London:

 

Leslie Philips



And the same jacket worn by Dirk Bogarde in The Blue Lamp:

Dirk Bogarde

 

And again in The Woman in Question:

 

Jean Kent & Dirk Bogarde

And again worn by Stanley Escane in 'I Believe in You':

 

Back to Pool of London, where this tie ....

 

... is just waiting to be reused in Dance Hall:

 

 

 Whilst we are on the subject of 'Pool of London', here's Bonar Colleano's jacket ....

 

 .... which appears to be the same one worn by Harry Fowler in 'I Believe in You':

In the same scene Harry Fowler wears a similar jacket but with a rip on the left breast ...

... this jacket (complete with rip) was also worn by James Kenney in the 1953 film 'The Gentle Gunman':

Also in 'The Gentle Gunman' was this leather jacket worn by John Mills ...

... which appears to be the same one worn by Dirk Bogarde in 'Hunted':

In 1950, Russell Waters appeared in 'Seven Days to Noon' wearing a three-piece, pinstriped, double breasted suit:

Russell Waters

Six years later, he wore the same suit in 'The Man in the Sky':

Russell Waters

Walters also wore this suit in 'Lease of Life':

 Here's a flat cap being worn by the same actor in 'Take a Chance' (1937) and 'The Arsenal Stadium Mystery' (1939):